Black Panther
"You are a good man with a good heart, and it is hard for a good man to be king" King T'Chaka to King T'Challa in Black Panther.
I have been writing about the Marvel films in groups though
a couple of weeks ago I decided to do Black Panther as a solo entry film
because I was so impressed with it that I felt it was worthy of a deeper look. The tragic and unexpected passing of star
Chadwick Boseman pushed me to finish it and get it out to all of you.
I had an odd journey to this film. When I first saw Civil War I was impressed by
T’Challa’s debut and admired the journey the character went through from
seeking revenge to showing empathy to his father’s killer. However Black Panther was released a few
months after Thor Ragnarok. While I made an effort to see Ragnorak in the theatre feeling afterwards that I could have waited for that film to
come to Redbox, which is what I had been doing for the most part since Civil
War. When the trailer for Black Panther was
released I had an indifferent reaction to it.
It looked a little techno heavy so I decided to wait even though I had
really liked director Ryan Coogler’s film Creed. I confess I have yet to see Coogler’s film
Fruitvale Station though I hear it is terrific.
Black Panther was released in February 2018 and caused an
enormous reaction worldwide and I gradually decided to see it in
the cinema, especially since Infinity War was coming out soon and I definitely
wanted to catch that on the big screen since it was directed by the Russo
brothers who had done such fine work on Civil War and Winter Soldier. So my wife and I went late one afternoon in
April 2018 about a week or so before Infinity War was due to be released and
had the kind of experience you always hope for when you go to the movies.
Coogler, amazingly in just his third feature, delivers a
story that takes place on Earth but feels almost like another planet. Wakanda is a wondrous place that mixes
ultramodern technology and what appears to me to be traditional tribal
values. The Wakandans have more than
delivered on the potential of their technology but also have a sense of honor
and a warrior’s spirit. Africa, which is perceived by many Westerners as a place of war and famine, is shown as a utopia but
rulers face a moral quandary due to a longstanding isolationist policy. I ultimately was far more interested in the
plight of Wakanda than that of Asgard because we get to know so
many of the characters so thoroughly and that they are played by such a strong
cast (including Angela Basset, Lupita N’yongo, Forest Whitakker and Danai
Gurira). This is so successful that the
title character is offscreen and presumed dead for about 15 minutes of screen
time and the film never loses momentum or interest.
However I must speak to the power Chadwick Boseman brings as
T’Challa. He is handsome, charismatic
yet fierce and easily provoked. T’Challa
is trying to find his way as king. He’s
strong but not particularly big and often seems overshadowed by his opponents. But his sense of honor is profound and in the
last act of the film with the guidance of Nakia he is determined to help the
world, and particularly his home continent of Africa, with Wakanda’s riches. His knowing smile in his last shot of the
film when asked by the UN representative what Wakanda can offer the world
conveys confidence but not arrogance.
T’Challa commits one grave mistake in the film when he
foolishly allows Kilmonger played by Michael B. Jordan (who played the title
character in Creed) to goad him into a challenge and then accepts without
preparing himself. As a result of this
T’Challa is overthrown (both figuratively and literally) and Wakanda is forced
to receive a new leader who speaks coarsely, has no interest in Wakandan
traditions, and only wants to abuse its power in a section of the film that
feels very prescient to what has occurred in the U.S. since Trump became
president. Unlike Trump though,
Kilmonger has a legitimate reason for his anger which has been amplified by the
way he has been treated by both the CIA and his own country. Michael B. Jordan, who is a very intelligent
actor, portrays Kilmonger with as wronged man who has seen only the worst of
humanity and has a lifetime of anger bottled up as a result. Kilmonger’s unorthodox look gives the sense
of unpredictability. Upon seeing
Kilmonger I quickly forgot about having seen Jordan in any other film.
Black Panther also has fantastic female characters who are crucial to the story. Suri, T’Challa’s sister is a Q like character
who has both a childlike spark and massive intelligence. Nakia loves T’Challa but also wants Wakanda
to help the struggling world. Okoye is a
warrior whose values are truly tested after Kilmonger’s ascension to power.
Coogler also gives the two key white characters in the film
plenty to do and are not made to look like fools. Andy Serkis as the returning Klaue is having
a ball as this ruthless mercenary.
Martin Freeman’s Steve Ross is an audience surrogate for the second half
of the film who is saved by Wakandan technology.
Coogler stages several terrific set pieces. The two instances where T’Challa has to
defend his kingdom showcase the various tribes, their costumes and are over a
beautiful but deadly waterfall. The
casino fight in South Korea has a fantastic tracking shot by cinematographer Rachel
Morrison which moves through the casino as each character has a notable moment
in the fight. This is followed by the
car chase which uses a virtual car piloted by Suri back in Wakanda. The ancestral plane scenes give a visual
reference to the hierarchy of the two kings of the story and helps explain
their motivations. Amazingly Wakanda was
created entirely in Georgia, as most of the Marvel films are now made in
Atlanta.
Marvel movies sometimes struggle in the third acts, which
can focus more on spectacle than on the characters. Black Panther provides nothing less than
another civil war as the forces loyal to T’Challa and the Jabari tribe work to
overthrow Kilmonger. The battle takes
place in a field outside and in a vibranium mine. The Jabari tribe even use armored rhinoceros
which seems fitting given the setting.
The way in a war can tear a culture apart is represented in the final
moments of Okoye and W’Kabi’s relationship.
T’Challa proves to be a controlled leader when he shows his
cousin compassion in his final moments, while still holding him accountable to
his crimes.
Ludvig Goransson who did such a good building on Bill
Conti’s classic Rocky themes in Creed, creates a bombastic fanfare with a lot of
trumpet.
I do not know if Boseman’s passing means there will be no
more Black Panther films but if this ends up being the only one then it at
least his sole outing was with this fabulous film which is the shining star of
the Marvel Universe. It is very sad to
see such a charismatic star pass at such a young age and I wish the best to his
friends and family during this difficult time.
Black Panther gives me hope that we will see more superhero
films starring non-white protagonists.
If this occurs, which the $1.3 billion box office gross suggest it will,
I hope they are made by filmmakers as skilled and visionary as Coogler. *****
P.S. I also highly recommend seeing Boseman in the film 42,
which tells the story of Jackie Robinson.
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